Epitonic Newsletter: Vol. 5, No. 9 'The Man In Black, Invisible Ink, & A Generation Gap Follow-up'
09/23/03
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The Man In Black

What could we possibly say about the passing of Johnny Cash? No doubt you've seen the papers recounting his near infinite contributions to music and culture, and rehashing them here wouldn't serve much purpose. Instead, we thought we'd put together this week's newsletter and dedicate it to one of our favorite musicians. It's a shame we don't have any of his music, but hopefully, his influence upon these artists will be enough.

On a lighter note

We have a pal named Roman who produces a show for San Francisco's KALW Public Radio that's along similar lines as This American Life entitled Invisible Ink. There are about 40 shows so far (starting in January) and each one is a jewel. They are each about 30 minutes we'll be posting 3 or 4 every week until we're caught up, then it'll be a weekly addition to the site (always a week behind air time).

The key focus of Invisible Ink features is zines but they often stray. As a matter of fact, Epitonic's own Aaron Newton has a 10 minute spot on the 7th show about the resurgence of 80's music and 80's culture (which will be posted soon). Each segment is scored with bands like Mates of State, Enon, Milemarker, and others.

We encourage you all to go listen to a show or two. You can find it featured on the home page and listed in fishwrap. You'll also note the new box here in the newsletter featuring the most recent show posted. For the next few weeks this number will jump by 3 or 4 every week as we post the previous shows, so if you like it, be sure to visit the Invisible Ink section on the site to catch the ones in between.

5th Graders Sound Off on Radiohead

This is too good for us to just leave tucked away over in the "What We're Into This Week" list. This week's East Bay Express (the weekly free paper in the Berkeley/Oakland/Emeryville, CA area) features an article with an ingenious approach at writing music reviews. The subject was Radiohead and the critics were 5th graders. The point? Everyone over the age of 15 has read and heard so much about the band that forming an opinion solely on the merits of their work is all but impossible. The solution here is to expose the music to those who have never, ever heard the band. The results are, well, they're a lot of things. Asonishing, beautiful, puzzling...

The forum for this 'critique' was a class of fifth graders, blank paper, and some magic markers. The class listened to the band for a while, and then just drew whatever it made them think of it. Besides the astonishing drawings, there was this tid bit:

The kids consent to this experiment, if only because Mitsi tells them to. They do, however, immediately request that we play Sean Paul or 50 Cent instead.

"This is not hip-hop," Mitsi says. "I'm not asking if you like it."

She doesn't have to ask. They don't.

We'll leave you to your own opinions on the drawings, but here's the two things that are on our mind:
What they would have drawn to 50 cent or Sean Paul had they never heard of those bands? And we wonder what we would have drawn to Simon and Garfunkle, Elton John, Dylan, David Bowie, Peter Gabriel, or The Cure.

New content

One last note. We've only got a few new postings for you this week (stuff from Saddle Creek Records). We've got a ton of stuff in the works, but we're somewhat handicapped because a large percentage of our staff is off galavanting across the country working at resfest, which just opened its 7th year in San Francisco. This weekend it heads to LA, then to DC, then it ricochettes all over the globe. Most of us, the staff, have had a chance to see the material and can't endorse it enough. Big highlights include the Michel Gondry retrospective, both Cinema Electronica and the Videos that Rock, and all three of the Shorts programs are excellent. If it's coming to a town near you, get your friends off the couch and go!

Sixteen Horsepower
"Hutterite Mile" by Sixteen Horsepower
David Eugene Edwards and the brooding Sixteen Horsepower channel the fire and brimstone of the Old Testament into sultry and gloomy folk music.

Richard Buckner
"Lovin' Her Was Easier (Than Anything I'll Ever Do Again)" by Richard Buckner
He's from San Francisco, but Richard Buckner is a high plains poet whose stark dusty folk-rock sets your insides aching with its eloquence and brutal honesty.

Boxharp
"Church In Calhoun" by Boxharp
Weary and resigned -- and achingly beautiful -- experimental country music. Boxharp is one part dusty, very American melancholia, and one part gothic atmospherics. The solo project of The Court and Spark's M.C. Taylor, with a little help from his friends.

Mojave 3
"Return To Sender" by Mojave 3
Mojave 3 may be from England, but their sound is as California as their name. The group builds delicate, whispery windblown masterpieces start out bleak and minimal before building to lush, emotional climaxes. It's lovely, melancholy music, darkened by the shadows of woebegone country singers from decades past, which manages to be both timeless and fresh.

Neil Halstead
"Two Stones in My Pocket" by Neil Halstead
Onetime Slowdive and current Mojave 3 frontman Neil Halstead continues his love affair with classicist folk with wispy and gorgeous solo work that recalls Nick Drake and Bert Jansch.

Crooked Fingers
"When U Were Mine" by Crooked Fingers
Fans of Eric Bachmann's old band, the angular and dissonant Chapel Hill combo Archers of Loaf, may be surprised by his new solo project, Crooked Fingers, which sees Bachmann turn his sights toward bluesy down-home roots music, to stunning effect.

Souled American
"Old Old House" by Souled American
Souled American's beautiful, earnest songs surpass simple labels like "country" or "folk," though they do contain elements of both genres. Their music will make you laugh, make you cry, and make you thankful that there are still some musicians who value songwriting over slickness.

Lambchop
"Is a Woman" by Lambchop
This raving mad collective of more than a dozen musicians drinks from the cup of nearly every imaginable American style -- Nashville country, Philly soul, Tin Pan Alley pop, avant-garde experimental, Broadway cabaret, the Las Vegas all-nude female revue -- producing a sound that's messy but smooth, absurd but soulful, a sound which people have been struggling to describe for nearly a decade.

The Court and Spark
"Rooster Mountain" by The Court and Spark
The Court and Spark combine plaintive and beautiful vocals with just the right amount of shuffle and twang to create music that is uniquely their own.

Califone
"Border Lord" by Califone
Since rising from the ashes of the avant-blues band Red Red Meat, Califone has successfully merged the Meat's damaged genre experiments with ambient electronic textures to produce a sound that is at once classicist and very, very now.

Cat Power
"He War" by Cat Power
Over the course of a half-dozen albums, Cat Power has mesmerized and haunted her ardent fans. With a languid, smoky, Southern vocal style, a challenging lyrical style, and a knack for beautifully unconventional compositions rooted in blues and country, she has established herself as one of the most significant singer-songwriters around.

Songs: Ohia
"How To Be Perfect Men" by Songs: Ohia
Songs: Ohia writes songs infused with the kind of wisdom gained only through pain. This is incredibly gorgeous and affecting music with similarities to Palace Brothers and other contemporary indie-folk artists.

Deanna Varagona
"Burden of Freedom" by Deanna Varagona
A frequent guest musician and longtime member of Lambchop, Deanna Varagona also records sparse, aching modern folk music influenced by the Appalachian songwriting tradition.