Epitonic Newsletter: Vol. 5, No. 3 'The Riches to Rags Tale of the Webbys'
05/02/03
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Update

Not only do we have some new stuff up at last, but we have new stuff that really and truly rocks. If you've been waiting with bated breath for the Yeah Yeah Yeahs' debut full-length, the wait is over, and we promise you won't be disappointed. It's called Fever to Tell and you can stream a pair of songs from it on Eptionic. We've also just posted classic stuff from the Fire Records catalogue by Spacemen 3 and Teenage Fanclub, sun-stippled indie rock from those dreamy Silverlake faves Earlimart, fuzzy-wuzzy bubblegum garage from the up-and-coming Danish duo the Raveonettes, and lots more. Come check it all out! And keep coming back, more is on the way, and soon!

Award

So we've finally been nominated for a Webby. Three years ago, when we were riding the dot-com wave towards a Technicolored techno-tomorrow with dollars signs in our eyes and fantasies of world domination on our brains, back when the ceremony still sorta seemed like a goofy internet version of the Oscars, the honor might have really gotten our juices pumping. But these are different times, for us and for the Webbies. In fact, the Webbies have fallen so far they won't even take place in an auditorium this year. Nope, they're going virtual, thanks to nominees' fears of traveling in a world that seems like it might erupt like a Roman candle any second, not to mention a U.S. economy that's be sagging lower than Kathy Bates's breasts. A true "riches to rags story," as the SF Chronicle astutely described it. We're fine with the virtual Webbys though, since none of us felt like going (or were able to). Plus, it's hard to take the damn event seriously when we're not even nominated in the Best Music Site category! Instead we're up against This American Life, KEXP Seattle, and a couple of others in the Radio category. We guess that's cool -- but hunh? Whatever. If you'd like to rock the Webby People's Choice Awards for Epitonic, you can do so at http://www.webbyawards.com/peoplesvoice (you can also write us in for Best Music site).

Apology

Then there's the little matter of the last newsletter. Giving a single individual responsiblity for the pronoun "we" can be a little dangerous. The views expressed in last week's newsletter are held by some individuals at Epitonic, but they do not speak for the Epitonic family as a whole or for the greater Palm Pictures organization. Moreover, said views are not the sort of thing many of you signed up for when you subscribed to the Epitonic New Music Newsletter. We apologize to those who were offended by Vol. 5, No. 2 and vow to avoid using the newsletter as a platform for individual political agendas in the future.

Lastly

Don't forget to watch the Kentucky Derby tomorrow! Empire Maker is the odds-on favorite, but as you might have guessed, we're rooting for Peace Rules.

Yeah Yeah Yeahs
"Date with a Night" by Yeah Yeah Yeahs
The Yeah Yeah Yeahs' trashy punk shares the sound and aesthetic of new wonder kids like the White Stripes and Strokes. But they shoot for sexier punk rock, thanks to a frontwoman who could be the second coming of Joan Jett, Kathleen Hanna, or Siouxsie Sioux.

Earlimart
"We Drink on the Job" by Earlimart
Earlimart taps into the dreamy, rural gestalt of California's Central Valley with an arty, moody brand of indie rock that employs post-punk structures, gently psychedelic atmospherics, and a big helping of folk-tinged pop melodicism.

Teenage Fanclub
"Everything Flows" by Teenage Fanclub
In the early '90s, Teenage Fanclub countered the nihilism of the grunge generation with a sludgy but sunny sound that channeled the power pop glory of Big Star and Badfinger. The Scottish band has soldiered on since their brief commercial breakthrough, issuing a half dozen albums filled with songs built on that same power pop foundation, with some explorations into vintage country-rock and hushed pop acousticism.

Mclusky
"To Hell with Good Intentions" by Mclusky
This straightforward rock trio blasts through amps and speakers, mocking you, mocking themselves, and mocking the music industry with a fierce combination of catchy noise and ironic lyrics.

Erase Errata
"Tongue Tied" by Erase Errata
San Francisco quartet Erase Errata channels the skeletal rhythms of British post-punk, the abrasive rush of no wave, and the feisty energy of riot grrl punk into intensely angular, incredibly vital music that will blow you away.

Spacemen 3
"Revolution" by Spacemen 3
Spacemen 3's druggy, droning brand of space rock was one of the more hallucinatory and exciting sounds to emerge from the late '80s U.K. rock underground. After the band's acrimonious 1991 breakup, members went on to form such notable bands as Spiritualized, Spectrum, Experimental Audio Research, and Darkside.

...And You Will Know Us by the Trail of Dead
"Relative Ways" by ...And You Will Know Us by the Trail of Dead
This Austin, Texas foursome lives up to its lengthy, fearsome name with awe-inspiring sonic ambition. Trail of Dead abandons indie rock formulas in favor of building awesome, precarious towers of sound that are like nothing you've ever heard before.

The Raveonettes
"Attack of the Ghost Riders" by The Raveonettes
The up-and-coming Danish twosome The Raveonettes meld the bouncing harmonies of '60s girl groups with the gritty streetwise aesthetic of downtown New York cult bands like the Velvet Underground and Suicide and the noisy, droning atmospherics of U.K. noise rock bands like Spacemen 3 and the Jesus & Mary Chain.

Califone
"Border Lord" by Califone
Since rising from the ashes of the avant-blues band Red Red Meat, Califone has successfully merged the Meat's damaged genre experiments with ambient electronic textures to produce a sound that is at once classicist and very, very now.

Deerhoof
"Holy Night Fever" by Deerhoof
San Francisco's Deerhoof takes the wide-eyed innocence of the conventional pop song and mutates it, perverts it, undermines it, performs dangerous experiments on it, ending up with messy gems marked by screeching vocals, dissonant guitars, squirting electronics, and some surprisingly good tunes.

Midwest Product
"Lethal Cop" by Midwest Product
Ann Arbor's Midwest Product orchestrates a strange fusion of analog and digital with deeply rhythmic electro-acoustic compositions that stun with their languid beauty even as they unsettle with their unpredictable atmospherics.

G-Pal
"Seaside" by G-Pal
Although Greek tech-house legend George Pallikaris now resides in New York City, his sublimely deep music retains a distinctive Mediterranean feel. Perfect music for a beach party hosted sometime between sunset and sunrise.

St. Germain
"Alabama Blues (Shazz Remix)" by St. Germain
St. Germain pioneered the sensual and sophisticated French house music by fusing soulful, organic deep house to classic jazz, creating a luscious, laid-back new sound that has often been imitated.

Viva Las Vegas
"Una Vez Mas" by Viva Las Vegas
Viva Las Vegas is the side project of Frank Rudrow and Jose Luis Garcia, two members of the highly successful Spanish band Manta Ray. The duo has created a blissful sound that combines unhurried rhythm, myriad samples, and melodic guitar work.

Consonant
"Buckets of Flowers, Porno Mags" by Consonant
Consonant marks the return of Misson of Burma bassist, songwriter, and vocalist Clint Conley. With bandmates hailing from Come, The New Year, and Bedhead playing Clint's unmistakable songs, familiar tones blend into a new textured sound.